Cuentos y Libros (Mil y una noche)

The Comics of Chris Ware

Autor: David M. Ball , Martha B. Kuhlman

Número de Páginas: 280

With contributions by David M. Ball, Georgiana Banita, Margaret Fink Berman, Jacob Brogan, Isaac Cates, Joanna Davis-McElligatt, Shawn Gilmore, Matt Godbey, Jeet Heer, Martha B. Kuhlman, Katherine Roeder, Peter R. Sattler, Marc Singer, Benjamin Widiss, and Daniel Worden The Comics of Chris Ware: Drawing Is a Way of Thinking brings together contributions from established and emerging scholars about the comics of Chicago-based cartoonist Chris Ware (b. 1967). Both inside and outside academic circles, Ware's work is rapidly being distinguished as essential to the developing canon of the graphic novel. Winner of the 2001 Guardian First Book Prize for the genre-defining Jimmy Corrigan: The Smartest Kid on Earth, Ware has received numerous accolades from both the literary and comics establishment. This collection addresses the range of Ware's work from his earliest drawings in the 1990s in The ACME Novelty Library and his acclaimed Jimmy Corrigan, to his most recent works-in-progress, “Building Stories” and “Rusty Brown.”

Acme Novelty Datebook Volume Three

Autor: Chris Ware

Número de Páginas: 0

The third and final installment of the artist's facsimile sketchbook series. After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music. Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor’s office, Mr. Ware’s work in these pages secures his reputation as an reliably unreliable self-narrator, willing to say or write anything to win petty disputes and imagined squabbles. 208 full-color pages augmented by annotations, introduction and a professional apology, with paper boards and cloth spine of...

Acme Novelty Library #17

Autor: Chris Ware

Número de Páginas: 72

Rusty Brown meets 2 new students at the school who have just moved into the town. Chalky has a class with Rusty's father.

Chris Ware

Autor: Daniel K. Raeburn

Número de Páginas: 124

A close-up look at the gifted graphic novelist the "New York Times Book Review" called "the most versatile and innovative artist the medium has ever known." The publication of Chris Ware's "Jimmy Corrigan: The Smartest Kid on Earth" in 2000 inspired a near-avalanche of praise. Now, Daniel Raeburn offers fascinating insights into the connections between Jimmy Corrigan's biography and that of his creator.Yale University Press

The ACME Novelty Library

Autor: Chris Ware

Número de Páginas: 108

Catálogo de novedades Acme

Autor: F. C. Ware

Número de Páginas: 0

The ACME Novelty Library -también conocida como "penosa colección de chistes, gags y otras tiras totalmente indefendibles" compila historietas publicadas dentro de la serie homónima, incluidas partes de la novela en desarrollo sobre Rusty Brown y la colección "Building Stories", publicada anteriormente por fascículos en The New York Times.

Chris Ware

Autor: Jean Braithwaite

Número de Páginas: 297

Virtuoso Chris Ware (b. 1967) has achieved some noteworthy firsts for comics. The Guardian First Book Award for Jimmy Corrigan: The Smartest Kid on Earth was the first major UK literary prize awarded for a graphic novel. In 2002 Ware was the first cartoonist included in the Whitney Biennial. Like Art Spiegelman or Alison Bechdel, Ware thus stands out as an important crossover artist who has made the wider public aware of comics as literature. His regular New Yorker covers give him a central place in our national cultural conversation. Since the earliest issues of ACME Novelty Library in the 1990s, cartoonist peers have acclaimed Ware’s distinctive, meticulous visual style and technical innovations to the medium. Ware also remains a literary author of the highest caliber, spending many years to create thematically complex graphic masterworks such as Building Stories and the ongoing Rusty Brown. Editor Jean Braithwaite compiles interviews displaying both Ware’s erudition and his quirky self-deprecation. They span Ware’s career from 1993 to 2015, creating a time-lapse portrait of the artist as he matures. Several of the earliest talks are reprinted from zines now extremely...

Quimby the Mouse

Autor: Chris Ware

Número de Páginas: 76

Collects comic strips from the early 1990s organized around Quimby the mouse.

The ACME Novelty Library

Autor: Chris Ware (comicautor)

Acme Novelty Library #20

Autor: Chris Ware

Número de Páginas: 72

Jordan Wellington Lint, fifty-one, is chief executive officer of Lint Financial Products, a company he began serving in 1985 as assistant and adviser before working his way up its corporate ladder to record-setting innovation in the fields of finance and high-yield investment. In his seven years as the head of Lint, Jordan has grown the company from a business lender and real estate speculator to a leading provider of network financial infrastructure services, all the while positioning Lint as a model of corporate integrity and high-yield, low-risk product. Lint's vision has made him one of the most influential and widely sought-after leaders in the complex Omaha securities industry, and his fresh approach to an understanding of local problems, leadership, and determination have enabled Lint to outdistance and outpace its competitors. Lint graduated from UNL in 1981 with a B.A. in business and briefly studied music and recording in Los Angeles before returning to his hometown of Omaha, Nebraska, where he has continued his life journey ever since. In his ongoing role as chief executive officer and his dual roles as public servant and father, Lint continues to put his creative...

We Told You So

Autor: Tom Spurgeon , Michael Dean

Número de Páginas: 698

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

Handbook of Comics and Graphic Narratives

Autor: Sebastian Domsch , Dan Hassler-forest , Dirk Vanderbeke

Número de Páginas: 674

Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium.

Drawing from Life

Autor: Jane Tolmie

Número de Páginas: 326

Autobiography has seen enormous expansions and challenges over the past decades. One of these expansions has been in comics, and it is an expansion that pushes back against any postmodern notion of the death of the author/subject, while also demanding new approaches from critics. Drawing from Life: Memory and Subjectivity in Comic Art is a collection of essays about autobiography, semi-autobiography, fictionalized autobiography, memory, and self-narration in sequential art, or comics. Contributors come from a range of academic backgrounds including English, American studies, comparative literature, gender studies, art history, and cultural studies. The book engages with well-known figures such as Art Spiegelman, Marjane Satrapi, and Alison Bechdel; with cult-status figures such as Martin Vaughn-James; and with lesser-known works by artists such as Frédéric Boilet. Negotiations between artist/writer/body and drawn/written/text raise questions of how comics construct identity, and are read and perceived, requiring a critical turn towards theorizing the comics' viewer. At stake in comic memoir and semi-autobiography is embodiment. Remembering a scene with the intent of rendering it ...

Système de la bande dessinée

Autor: Thierry Groensteen

Número de Páginas: 336

Avec Système de la bande dessinée, Thierry Groensteen proposait dès 1999 une description complète des éléments constitutifs du langage de la bande dessinée et une explication novatrice de ses mécanismes producteurs de sens. L’ouvrage reparaît aujourd’hui dans une édition entièrement refondue et actualisée, qui tient compte des évolu-tions contemporaines du genre (manga, récits autobiographiques, roman graphique, BD abstraite, BD numérique) et des avancées de la recherche, avec une iconographie pour moitié inédite (dont un cahier de 16 pages en couleurs). Traduit en sept langues, cet ouvrage propose une théorie non normative qui, d’inspiration sémiotique, emprunte également à de nombreuses disciplines et s’appuie sur une connaissance intime et profonde du « neuvième art ». Les exemples examinés sont très éclectiques, avec un souci pédagogique constant. Certains développements, comme ceux qui concernent la lecture de l’image, la séquentialité ou les relations entre l’iconique et le verbal, in-téressent un champ beaucoup plus large que celui de la seule bande dessinée. Vingt-cinq ans après sa première parution, l’ouvrage qui a donné...

Outside the Box

Autor: Hillary L. Chute

Número de Páginas: 272

We are living in a golden age of cartoon art. Never before has graphic storytelling been so prominent or garnered such respect: critics and readers alike agree that contemporary cartoonists are creating some of the most innovative and exciting work in all the arts. For nearly a decade Hillary L. Chute has been sitting down for extensive interviews with the leading figures in comics, and with Outside the Box she offers fans a chance to share her ringside seat. Chute’s in-depth discussions with twelve of the most prominent and accomplished artists and writers in comics today reveal a creative community that is richly interconnected yet fiercely independent, its members sharing many interests and approaches while working with wildly different styles and themes. Chute’s subjects run the gamut of contemporary comics practice, from underground pioneers like Art Spiegelman and Lynda Barry, to the analytic work of Scott McCloud, the journalism of Joe Sacco, and the extended narratives of Alison Bechdel, Charles Burns, and more. They reflect on their experience and innovations, the influence of peers and mentors, the reception of their art and the growth of critical attention, and the...

The Visible Text

Autor: Thomas A. Bredehoft

Número de Páginas: 193

The Visible Text offers an innovative new vision of literary history and the history of the book from Beowulf to present day graphic novels.

Comics and Language

Autor: Hannah Miodrag

Número de Páginas: 282

A new theoretical framework that critiques many of the assumptions of comics studies

Wide Awake in Slumberland

Autor: Katherine Roeder

Número de Páginas: 233

The first study to place this genius of modern comics creation in his historical context

Seeing Comics through Art History

Autor: Maggie Gray , Ian Horton

Número de Páginas: 354

This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice.

On the Graphic Novel

Autor: Santiago García

Número de Páginas: 476

A noted comics artist himself, Santiago García follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. He considers the aesthetic and entrepreneurial innovations that established the conditions for the rise of the graphic novel all over the world. García not only treats the formal components of the art, but also examines the cultural position of comics in various formats as a popular medium. Typically associated with children, often viewed as unedifying and even at times as a threat to moral character, comics art has come a long way. With such examples from around the world as Spain, France, Germany, and Japan, García illustrates how the graphic novel, with its increasingly global and aesthetically sophisticated profile, represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comics and what they can achieve.

Comics Studies

Autor: Charles Hatfield , Bart Beaty

Número de Páginas: 337

Nominee for the 2021 Eisner Awards Best Academic/Scholarly Work In the twenty-first century, the field of comics studies has exploded. Scholarship on graphic novels, comic books, comic strips, webcomics, manga, and all forms of comic art has grown at a dizzying pace, with new publications, institutions, and courses springing up everywhere. The field crosses disciplinary and cultural borders and brings together myriad traditions. Comics Studies: A Guidebook offers a rich but concise introduction to this multifaceted field, authored by leading experts in multiple disciplines. It opens diverse entryways to comics studies, including history, form, audiences, genre, and cultural, industrial, and economic contexts. An invaluable one-stop resource for veteran and new comics scholars alike, this guidebook represents the state of the art in contemporary comics scholarship.

Reading Comics

Autor: Mila Bongco

Número de Páginas: 253

This study explores how the definition of the medium, as well as its language, readership, genre conventions, and marketing and distribution strategies, have kept comic books within the realm of popular culture. Since comics have been studied mostly in relation to mass media and its influence on society, there is a void in the analysis of the critical issues related to comics as a distinct genre and art form. By focusing on comics as narratives and investigating their formal and structural aspects, as well as the unique reading process they demand, this study presents a unique contribution to the current literature on comics, and helps clarify concepts and definitions useful in studying the medium. (Ph.D. dissertation, University of Alberta, 1995; revised with new preface, bibliography, and index)

Multimodal Comics

Autor: Madeline B. Gangnes , Christopher Murray , Julia Round

Número de Páginas: 359

Comics have always embraced a diversity of formats, existing in complex relationships to other media, and been dynamic in their response to new technologies and means of distribution. This collection explores interactions between comics, other media and technologies, employing a wide range of theoretical and critical perspectives. By focusing on key critical concepts within multimodality (transmediality, adaptation, intertextuality) and addressing multiple platforms and media (digital, analogue, music, prose, linguistics, graphics), it expands and develops existing comics theory and also addresses multiple other media and disciplines. Over the last decade Studies in Comics has been at the forefront of international research in comics. This volume showcases some of the best research to appear in the journal. In so doing it demonstrates the evolution of Comics Studies over the last decade and shows how this research field has engaged with various media and technologies in a continuously evolving artistic and production environment. The theme of multimodality is particularly apt since media and technologies have changed significantly during this period. The collection will thus give...

The Boy Who Could Change the World

Autor: Aaron Swartz

Número de Páginas: 369

Winner of the Ida and Studs Terkel Prize In his too-short life, Aaron Swartz reshaped the Internet, questioned our assumptions about intellectual property, and touched all of us in ways that we may not even realize. His tragic suicide in 2013 at the age of twenty-six after being aggressively prosecuted for copyright infringement shocked the nation and the world. Here for the first time in print is revealed the quintessential Aaron Swartz: besides being a technical genius and a passionate activist, he was also an insightful, compelling, and cutting essayist. With a technical understanding of the Internet and of intellectual property law surpassing that of many seasoned professionals, he wrote thoughtfully and humorously about intellectual property, copyright, and the architecture of the Internet. He wrote as well about unexpected topics such as pop culture, politics both electoral and idealistic, dieting, and lifehacking. Including three in-depth and previously unpublished essays about education, governance, and cities,The Boy Who Could Change the World contains the life's work of one of the most original minds of our time.

Mythe et bande dessinée

Autor: Viviane Alary , Danielle Corrado

Número de Páginas: 534

Etude d'oeuvres graphiques européennes, asiatiques et américaines sur la bande dessinée en tant que lieu de ré-interprétation, de transposition, de déformation, de subversion de myhes fondateurs.

Obsessive Consumption

Autor: Kate Bingaman-burt

Número de Páginas: 212

Since February 5, 2005 the author has drawn a picture of something she purchased each day. This is a selection of these items....

The Rise of the American Comics Artist

Autor: Paul Williams , James Lyons

Número de Páginas: 278

Contributions by David M. Ball, Ian Gordon, Andrew Loman, Andrea A. Lunsford, James Lyons, Ana Merino, Graham J. Murphy, Chris Murray, Adam Rosenblatt, Julia Round, Joe Sutliff Sanders, Stephen Weiner, and Paul Williams Starting in the mid-1980s, a talented set of comics artists changed the American comic book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical acclaim and media attention beyond comics-specific outlets, as best represented by Art Spiegelman's Maus. Publishers began to collect, bind, and market comics as “graphic novels,” and these appeared in mainstream bookstores and in magazine reviews. The Rise of the American Comics Artist: Creators and Contexts brings together new scholarship surveying the production, distribution, and reception of American comics from this pivotal decade to the present. The collection specifically explores...

Studying Comics and Graphic Novels

Autor: Karin Kukkonen

Número de Páginas: 192

This introduction to studying comics and graphic novels is a structured guide to a popular topic. It deploys new cognitive methods of textual analysis and features activities and exercises throughout. Deploys novel cognitive approaches to analyze the importance of psychological and physical aspects of reader experience Carefully structured to build a sequenced, rounded introduction to the subject Includes study activities, writing exercises, and essay topics throughout Dedicated chapters cover popular sub-genres such as autobiography and literary adaptation

Strips, Toons, and Bluesies

Autor: D. B. Dowd , M. Todd Hignite

Número de Páginas: 118

"The authors of Strips, Toons, and Bluesies address such key issues as the intertwined origins of comics and animation; the sex, violence, and taboo breaking of 200 years of underground comics, from Jack T. Chick to Chris Ware; the popular "Locas" stories of Jaime Hernandez's Love and Rockets; and the political and racial portrayals of African Americans in 1960s comics, including works by Stan Lee and R. Crumb. The book also includes a 25-page history of comics from 1380 to today, a thorough and novel approach to the genre."--BOOK JACKET.

The ACME Novelty Library #15

Autor: Chris Ware

Leaping Tall Buildings

Número de Páginas: 244

Some are mild mannered geeks, others mad geniuses or street-smart city dwellers driven to action. These are the men and women behind the masks and tights of America’s most beloved superheroes. But these aren’t the stories of the heroes’ hidden alter egos or secret identities…these are the stories of their creators! Leaping Tall Buildings: The Origins of American Comics gives you the truth about the history of the American comic book—straight from the revolutionary artists and writers behind them. From the founders of the popular comics website Graphic NYC—writer Christopher Irving and photographer Seth Kushner—comes the firsthand accounts of the comic book’s story, from its birth in the late 1930s to its current renaissance on movie screens and digital readers everywhere. Kushner’s evocative photography captures the subjects that Irving profiles in a hard-hitting narrative style derived from personal interviews with the legends of the art, all of which is accompanied by examples of their work in the form of original art, sketches, and final panels and covers. The creators profiled include Captain America creator Joe Simon, Marvel guru Stan Lee, Mad magazine’s...

Comics and Stuff

Autor: Henry Jenkins

Número de Páginas: 356

Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves now For most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre. While the American comics of the past were about hyperbolic battles between good and evil, most of today’s graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place...

#810 HCA New York Comic and Comic Art

Autor: Ivy Press

Número de Páginas: 320